The perfect headline

DODGE VIPER SRT vs. COBRA HELICOPTER

So I’m flipping through the channels, enjoying my time off from work, and I see ‘Top Gear’ listed on the DirecTV channel guide.  I’ve heard about it but really, most car shows are over my head and bore me.  Usually its guys talking about torgue ratios, gear ratios and more engine stats than I want to know.  But then the description catches my eye, “Dodge Viper SRT vs. Cobra helicopter.”  Can I really watch a Dodge Viper race a helicopter!!!  In a word: SWEEEEEEET!

So I click over and the first thing I see is 3 guys showing off 3 different Lamborghinis.  They demo each car, show how fast they are, talk about how much they cost and other very top-level (non car geek info) stats about the car.  (i.e. These things go 0-to-60 in 3.4 seconds).  Holy cow!  They get into a discussion about which one is fastest.  So, naturally, the next thing they do is RACE THEM.

By this time I’m hooked.  I even missed the car vs. helicopter stunt but who cares this is a bad ass show!  I may even go ‘Like’ the show on Top Gear’s Facebook page

My point is that because the producers (or network) wrote a killer headline, who wouldn’t want to watch a sports car race a helicopter, I tuned in and sampled their brand/show.  And, as a marketer, that’s all you can ask for — a consumer to sample your brand.  After that it’s up to the product to deliver on whatever promise the marketing guys made.

The bonus here is that the brand/show actually delivered on it’s promise to me, the consumer.  The headline said I would see something really cool that I had never seen before.  And I did.

Keep that in mind when writing headlines for your blogs, print ads, radio spots, TV spots or any other marketing materials.  Be sensational. Find the most sensational (truthful) point of what you are selling or writing about and use that to draw in customers.

Oh and in the next episode they raced two skiers down a mountain in a Mitsubishi Evo. :)   The car won.

Best CSS tool: Using the 960 Grid System

Amazing!  No, stupendous! No, unbelievable!  You get the picture. 

If you are a designer, developer, coder, etc. (even a newbie) I would highly suggest you dig in and use Nathan Smith’s 960 Grid System, best css tool ever!  It only took me a few hours to understand the structure and begin using it.  Nathan Smith provides a ton of templates for Photoshop, Illustrator, Flash, and even Visio (along with several more).  So you can start using it almost instantly.

My favorite part was how easy it was to update the layout for Nashville’s premiere music teaching studio, Music Star Studios.  MSS has recently expanded into the Atlanta market.  And, since I built the site about a year ago it definitely needed updating.  The original code and design was NOT on any type of grid system (my bad).

It only took about a day to update all the pages, all WITHOUT any design changes (except for the homepage, which was a total re-design anyway).  I was able to quickly add a new navigation scheme and it worked like a charm.

To sum up,  THANK YOU, Nathan Smith for developing tools like the 960.gs for the community to use.

Another designer friend of mine also recently introduced me to the grid system when they designed the website for the 44th Annual CMA Awards on ABC.  Thanks to StudioBanks.com for that.

Has Country Music Finally Gone Digital?

We are DEFINITELY getting there… well the fans anyway. Let me explain.

As fans continue to demand what they want when they want all of the music industry has struggled to keep up.  Some genres like Pop and Rock tend to have a younger demographic so those fans have been quicker to adopt and more demanding than the older, not-as-tech-savvy Country Music fans.  BUT…

Country Music fans are getting younger and more technologically advanced in their increasingly complicated and busy lives.

How do you know that Ben?  Well, after looking at all the data from the largest Country Music festival in the world (CMA Music Festival, held every June in Nashville) the results are very promising!

Without getting into specifics, CMA members can email me for those, the digital marketing effort put forth by CMA for the event was a huge success and the fans really responded to it.  Here are the highlights:

Continue reading

Facebook Fans Help Protect Brand

Back in January, when I posted the final update to promote a video contest on our website to win tickets to CMA Music Festival it sparked a conversation (for whatever reason) about another music festival and how it was supposedly ‘better’ than CMA Music Festival.

This is a great example of how social media can affect a brand in a VERY POSITIVE way.  Fans were quick to jump in and argue in favor of the CMA Music Festival (and protect the CMA brand) and did it better and with more creditability than we (CMA) ever could.

Now, I think some Marketing Managers would rush to delete these negative or not-so-nice comments about their event or brand.  But fortunately by the time I saw these comments plenty of other fans had already rebutted the argument.  So, I just let them keep on doing the same.

I think the challenge we have as marketers is to harness that power to push sales, drive new customers to sample our product (whatever it is) and capture data so we can more affordably message back to these hyper-loyal fans. Continue reading

Best Practices: Online Video

Pretty. Blonde. Country Singers.

So I ran the numbers for our online video views for March 2010.  Eight of the Top 10 all starred a pretty, blonde, Country Music singer.  We have about 100 videos we’ve posted over the last 2 years.  Darius Rucker, Zac Brown Band, Lady Antebellum and tons of other A-List talent.  There is behind-the-scenes footage, man on the street footage, artist interview footage and other fun video footage we’ve aggregated to help promote our CMA Music Festival and CMA Awards.

No matter what our most viewed videos seem to always star Carrie Underwood, Taylor Swift, Kellie Pickler, Miranda Lambert and Julianne Hough.

I’m not passing judgement on the artists, viewers or anything in between.  I’m simply re-stating what the data has alread told us.  We are looking into creating more compelling, more viral video concepts for this year’s events.

Stay tuned and I’ll let y’all know how it goes.

Vegas Bound!

So I’m headed to Las Vegas on Sunday.  CAN’T WAIT!  I love that town.

This will be my first visit to the NAB Show.  The National Association of Broadcasters holds one of the largest trade shows for the TV, Radio, and (now) Online broadcasting industry.  I’m told it’s attended by a Who’s Who’s in the industry.  I’m excited to learn something new.

Of course, most trade shows I’ve attended could have just as easily been downloaded from YouTube.  So fingers crossed for the big ole NAB.  :)

The Best and Worst Christmas Commercials

The Best
Target – Santa Running to get Last Minute Gift Ideas

The spot opens with Santa running in slow motion as fast as he can. It continues that way for about 8 seconds. Then the camera zooms to a wider shot to show that Santa was in a parking lot sprinting towards the Target. The full screen chyron reads: “Great Last Minute Gifts” (or something similar). Funny AND memorable with a CLEAR MESSAGE. (Go to Target for your last-minute gift needs)

The Worst
Legos – Father and Son Build a Lego House

I really have NO IDEA what they are trying to say. The spot shows a time lapse of two sets of hands building a lego mansion with a windmill on top. The VO does kind of a play-by-play of the action then comments on the bizarre inclusion of a windmill

Radio, will you marry me? #NABradioshow

DIGITAL THINK TANK SUPER SESSION

It’s all about ENGAGEMENT, engagement, ENGAGEMENT!!

At the recent National Association of Broadcasters Radio Show in Philadelphia leaders from all over the radio industry gathered to compare notes and discuss the state and future of radio.  These notes are from several sessions during the event which concentrated on the digital space and how to make it work FOR radio rather than AGAINST it.

Good examples of digital in use

  • Humane Society invests $350k in radio using social media and gets back $3.5 million over one weekend in donations. (Canada)
  • Ford Focus
  • Tennis Shoe Company: created funny “Naturists” viral videos (100k views overnight).
  • Dunkin Donuts: “Everyone Runs on Dunkin”. User-generated content – How do you run on Dunkin?

How to make digital work

  • Stations should be able to turn a profit for their online business in 18 months if they are taking it seriously.
  • Use existing technology (a lot of which is free) and spend your time creating content.
  • Currently radio is getting 2% of local digital pie, which is probably what we deserve considering how seriously we’re taking it.
  • WEEI.com is an online brand for all things sports in Boston (very specialized).  Good job!
  • GAP Broadcasting loyalty rewards programs are bringing in amazing royalty.  Good job!
  • Driving more traffic creates a bigger audience and thus drives up the rate.  Sell for higher rates because of larger audience.
  • Multi-channels of HD may work to create a bigger collective audience.
  • CBS Radio putting Last.fm on the air using one of their HD channels in Los Angeles.  Good example of how online radio is working its way into main stream.
  • Microsoft Zune HD will help bring younger audience back to radio with it’s RDS-enabled HD tuner.

TRENDS AND EXAMPLES
These are trends and examples of what the panelists are seeing bubbling up to the top in the marketplace.

  • Jelli.net (crowdsource radio)
  • Pandora.com (online personalized radio – AWESOME!)
  • Mashable.com (digital industry news site)
  • PaidContent.org (digital content news site)
  • Etsy.com (supposed eBay killer)
  • Everyblock.com (hyper-local neighborhood tool that MSNBC just bought)
  • Popsugar.com (celeb gossip and publishing platform)
  • Cloud computing (the next big thing: using the internet (cloud) for all of your software needs. Having everything on the web and not on your own computer hard drive)
  • Casual gaming (trend is easy-to-play games that anyone can play quickly and in their web browsers)
  • User-generated content (giving users the power to publish content they’ve created to websites such as YouTube)
  • Episodic videos (short videos that have interwoven story lines that are one-step up from user-generated content)
  • Entrepreneurs tirelessly increasing and bettering the tech
  • Change your day.  Get up an hour earlier, read blogs, and everything else.

WHICH HALF OBSERVATION: Finally! Radio is talking about technology other than AM/FM/XM.  We’re a little late to the game since most of these online technologies have grown without incorporating radio.  For too long, radio thought it was insolated from any “new tech”.  With Pandora and more recently Jelli, Radio needs to run full speed ahead if its to stay relevant.

Can Radio “get it’s cool back?” #NABradioshow

GROUP PDs SUPER SESSION

Some of the top programmers in the industry discussed digital media and how to monetize it as well as the state of the industry and how to best bounce back.

Some quick examples of what some stations are doing right:

  • Hot97 100k text msg subscribers, 90k twitter followers, 150k iPhone app downloads
  • Power 106 126k TW, 50k MS friends
  • 20 MM uniques/ week at Clear Channel online / iphone app

Cyndee Maxwell, Former Director/Assoc Editor R&R Magazine: “So everyone agrees that social nets help with ratings.”  What about revenue?

According to the responses from all the group PDs on the panel they are still looking for ways to monetize.  Most are still treating the digital space as a hobby.  All group PDs agreed that radio MUST treat digital as a viable, main source of business before results will be realized.

Other tips from the panel:

  • JAY STEVENS, SVP Programming Radio One: We have got to get FM tuners into every mobile device, cell phones, iPods, etc.
  • RICK CUMMINGS, President Programming Emmis Communications: We’re just not top-of-mind.  Critical to on mobile devices to “get our cool back”.
  • Lots of stations aren’t using Radio Data System.  ALL STATIONS NEED TO USE IT!  It helps compete with iPods, Zune, etc.  (RDS = displays song, artist info on radio displays)
  • Lots of talk about “getting our cool back.”

CYNDEE: “Do the stations have to program differently for the online stream?”
GEORGE ROMANO, Executive VP Programming, Clear Channel Radio: “No. It’s the radio station.”

WHICH HALF OBSERVATION:  WHA??????  I think we need to program a little differently because of how listeners are used to using online music.  But that’s just me.  I can’t believe that a top programmer wouldn’t realize that listening online is different that on-air.  Especially with the likes of Pandora and Jelli popping up, listeners are being conditioned to listen much differently online, namely the fewer number of interruptions.

“The reports of my death have been greatly exaggerated,” said the Radio Industry #NABradioshow

RADIO STIMULUS PACKAGE

Several giants in the biz as well as a few of radio’s most successful consultants held a session to discuss what radio needs to get back on the right track.  Below are some quick notes from their discussion.

ED CHRISTIAN, CEO Saga Communication: Radio is in trouble because the businesses that support radio are in trouble.  We have to be more than radio.  On-air, online, on-site.  Create multi-platforms and package together.  Stop thinking in the old radio thinking.

MARK RAMSEY, Consultant:

  • Understand the competition – We’re not only competing with ourselves anymore, we’re competing with the iPod, Twitter, Facebook, and a ton of other digital media vying for the same eyes and ears that radio is.
    • Mark mentioned one client that ran radio, billboard and Twitter campaigns.  The client got 170 orders from the billboard, 200 orders from radio, and 1700 orders from Twitter!
  • It matters not how many we reach. It matters if they take action.
  • We’re not selling spots anymore.
    • Radio is the funnel, the top of the funnel. Everything is integrated.
  • Go to other non-radio events (SXSW) to get some perspective.
  • Drop Arbitron. No longer about reach.  It’s about engagement and getting listener to take action.
  • The Power of the Megaphone. The top of the funnel gives all the other channels a voice, meaning, radio can be the starting point for all other digital media tactics.

BILL FIGENSHU, President Peak Broadcasting: There are two opinions in the press. 1.) Radio is dead or Radio is fine or, conversely, 2.) it’s a perception problem.  NEITER ARE TRUE.

  • STOP expecting Radio to perform like its 1999.  Large spot loads, high margins are gone.  Advertisers are getting used to instant feedback.  Radio has to get better at metrics.  We have to raise the level of the quality of content. Spend the money!!  “Pumping the wattage into your cottage” IS DEAD.
  • START putting money into program creation.  Too many are playing to NOT LOSE instead of TO WIN.  Need more creative young people.  At least one person at each station that can connect to the listeners.  No more 1 PD for 6 stations.  No more “safe lists”.  Consumers don’t need us like they used to (iPod, Pandora).  KHJ is dead.
  • The BOSS IS THE CONSUMER.

HEIDI RAPHAEL, VP Greater Media:  RETOOL our business.

  • Retool: need to be innovative.  JetBlue is good example.  Look to other industries that have faced similar challenges.
  • Resolve: We are an audio entertainment industry.  We need to reorganize how we do things.  Is the current sales structure working?  NO.  Match what people are good at with what they do for your company.
  • Share resources with other companies that aren’t traditional radio companies.  (e.g. AutoTrader.com and CBS
  • Reignite: Well done is better than well said.  Roll up your sleeves mentality from industry bosses and leaders.
  • Sew Some Seeds:  Bring new people into the business.  Reach out to high school / colleges to bring them in.  Some schools have jr radio programs.

Why is everyone stuck on the LOCALISM and DISASTER PREPAREDNESS.  I think if we are counting on these elements to “save” radio we’ll be waiting for a looooong time.  Nobody, especially young people, think of disaster preparedness.  Until you’re 30 aren’t you 10 feet tall and bulletproof?

Plus bad radio is bad radio, I don’t care if it’s local or not.

LARRY ROSIN, President Edison Media Research: Radio doesn’t have an HR strategy.  He focused on getting more, younger, better people into the biz.

JOHN DeBELLA, On-Air WMGK-FM/Philadelphia:  We have stopped investing in ourselves so how can we expect anyone else to do the same.

  • We have to advertise ourselves (more than just ‘most music in the morning’).
  • Let’s build a farm team!  Use your HD3 channels.  Apple just introduced an iPod with FM, next (prob) HD radio tuner.
  • Make radio about the listener
  • Make radio about the content

JOHN PARIKHAL, CEO Joint Communications:

  • Kill all czars.  Czars screw things up and starve the country.  They wrecked Russia.  Start asking questions.
  • Stop lying to yourself.  You can’t take true action until you stop lying to yourself
  • Focus on the change.  If you’re not proactive around change. To get what you want, start with what you have.
  • Create a mental outcome of what you want.  (I think my mom taught me this.)
  • Look 90-120 days out.  Inside of that you’re not being proactive.
  • Listenomics.  Listen to your clients. Gomediafix.com
    • Lego, Dell, P&G all have great stories about how listening to their consumers helped turn around their businesses.
    • Immediate is more important than Local.  Local is a subset to immediate.
    • Write a speech to sell a 20 year old to working in media.  Then give it to a 20 year old.  Will it make them WANT to work in radio?

Czars aren’t listening.  They are hallucinating.

FRED JACOBS, President Jacobs Media:

  • Stop looking back at the “Golden Years.”
    • Tom Daschel quote, “I below there’s a reason the windshield is bigger than the rear view mirror.”
  • Stop with slogans, develop solutions.  Who are we marketing to?  Ourselves? No!  The consumers.
    • Why are we using these instead of trying to solve the problem?
      • 70s: Radio is Red Hot
      • Less is More
      • Radio Heard Here
  • Need to do an Industry SWOT analysis
    • “Where else are they gonna go” – the 7 Dirty Words of Radio.  These are the words we’ve used for so long instead of trying fix our media.
    • Economies of Scale – 3 more.  While these are good (sometimes). They have ultimately hurt the quality of content on air.
  • Customer Service.  Radio hasn’t had any for a while.
  • Go outside the industry for a little help.  We’ve been inside too long.
  • No voicetracking.  People care about personalities.
  • Nurture and marketing what we have.
  • Re-think sales depts. and processes.

Lots of info here from some of the main players in the industry.  I hope it helps.  Post any questions below.

WHICH HALF OBSERVATIONS: I sure hope the industry can move as quickly as these guys and gal think.  However, these topline, “big picture” ideas usually get watered down in middle management as those in the middle try and keep others from bubbling up to the top.  Thus, continually keeping innovation out of the formula.